Of course, making a movie this effortless is hard work. The greatest joy in Alfred Hitchcock’s spy caper is how effortless it all feels: a gliding magic-carpet ride from New York to Mount Rushmore, via Chicago and a Midwestern bus stop, as Cary Grant’s ad man suffers a potentially fatal outbreak of Wrong Man-itis. If there’s a thriller out there more exhilarating, sexier or packed with iconic moments than this one, we’ve yet to see it. □ The greatest pyschological thrillers ever made □ The 60 most nerve-racking heist movies ever □ The 22 best thriller movies on Netflix □️ The 35 steamiest erotic thrillers ever made Written by A bbey Bender, Joshua Rothkopf, Yu An Su, Phil de Semlyen, Tom Huddleston, Andy Kryza, Tomris Laffly & Matthew Singer Sounds good? Get started with these heart-rate-firing classics. All with the intention of leaving you shaken up. They know exactly which nerves to hit – and when to hit them. The best thrillers impress not just with their provocative dialogue or voyeuristic camerawork, but by injecting the cinematic experience with frantic, anxiety-inducing energy. If you find yourself sitting closer to the edge of your seat, or find your palms getting clammy, you’re more than likely watching a thriller. But it speaks to the breadth of themes and subjects they can cover, and it’s perhaps easier to identify a thriller from how they make you feel rather than what they’re about. It might feel strange to lump serial-killer procedurals, ‘70s conspiracies, and obsessed artists all together in the same genre of film. This feature injects some realism into what is otherwise a somewhat abstract work.Occupying the blurry middle ground between the raw adrenaline blast of horror films that you watch through your fingers and psychological dramas – Bergman et al – that you feel in the pit of your stomach, the thriller genre covers a deceptively large amount of ground in the cinema pantheon. The very top of the painting is filled with grids – Hockney copied these from a street map of Los Angeles, and as such, they represent the suburbs of the city. The viewer’s eyes inevitably follow it from one side of the canvas to the other, enhancing the sense of movement in the scene. Driving is central to the culture of Los Angeles, and this has been conveyed by making the winding road the defining feature of the painting. The artist denotes distance by clearly defining the objects in the foreground, whilst reducing those in the background to blocks of colour and texture. He effectively conveys that the city is not separate from nature, but intertwined with it. Hockney explores the contrast between the urban landscape – buildings, pylons and tennis courts – and the trees and rolling hills which surround it. These lines convey the constant movement of the city of Los Angeles, especially its winding roads. In places, the artist has scratched away the wet paint to create flowing lines. This is likely no accident, as it perfectly reflects the way a newcomer to Los Angeles might feel. This slight change of style marked a turning point in the direction of his work.Īs the painting is so vast and colourful, it can be somewhat overwhelming to look at. His paintings typically feature straight lines and angular shapes, and although these can be found in Mulholland Drive, they are accompanied by some more unusual curved lines. Hockney took inspiration from Picasso and cubism throughout his career, especially early on. Unusually, he painted the scene from memory and completed it within a few weeks, in spite of its colossal size.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |